By Diarmuid Costello, Jonathan Vickery
The previous few a long time have witnessed an explosion in principles and theories on artwork. paintings itself hasn't ever been extra well known, yet a lot fresh pondering continues to be inaccessible and tough to take advantage of. This booklet assesses the paintings of best thinkers (including artists) who're having a massive effect on making, criticizing and reading artwork. every one access, written via a number one overseas specialist, provides a concise, serious appraisal of a philosopher and their contribution to considered artwork and its position within the wider cultural context. A advisor to the most important thinkers who form today's global of artwork, this ebook is an important reference for an individual drawn to smooth and modern paintings, its background, concept, philosophy and perform.
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Additional resources for Art: Key Contemporary Thinkers
First, in relation to category (i) texts above, Morris concurred with the modernist theory of Greenberg and Fried on some fundamental claims about sculpture: (i) sculpture (like all individual arts) inhabits a distinct and speciﬁc medium; its medium is not determined by materials as such, but the dynamics of its occupancy of three-dimensional space; (ii) sculpture is categorically different from other objects in the world; it exceeds the realm of the empirical (ordinary experience) – it exists not as empirical ‘object’ but aesthetic ‘shape’; (iii) ‘shape’ is not the sum of the material properties of the object (and is not synonymous with its compositional form) but is the structure of our perceptual engagement with it (implying that the object’s identity as sculpture is not determined by technique, materials, subject matter, style, skill, etc.
Goldstein, A. , Reconsidering the Object of Art: 1965–1975, Los Angeles: The Museum of Contemporary Art and Cambridge: MIT Press, 1995. , Essays on Art & Language, Cambridge: MIT Press, 2001. Lippard, L. , Six Years: The Dematerialization of the Art Object, 1966–1972, Berkeley and Los Angeles: University of California Press, 1973/1997. , Conceptual Art, New York: E. P. Dutton, 1972. , Conceptual Art, London: Tate Publishing, 2002. BARBARA KRUGER (1945–) Barbara Kruger is best known for her phototext collages.
Morris attempted to forge an alternative historico-conceptual narrative of modern art. It is a mistake to think of Morris’s anti-formalism as anti-modernist. Morris rather attempted to reconﬁgure the central critical terms of the modernist theory of art – art’s socio-cultural ‘autonomy’, ‘mediumspeciﬁcity’, ‘form’ and art’s ‘pure’ or unique ROBERT MORRIS visual efﬁcacy – in terms of emergent anti-formalist art practices. His alternative narrative of modern art maintained a major inﬂuence on the early contributors to October magazine, evident later in major texts like ROSALIND KRAUSS’s The Optical Unconscious (1993).
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