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By William Uricchio

We Europeans? explores the connection among media and id alongside the fault traces and fissures of the moving ethnicities, religions, tastes, generations, and languages that make up modern Europe. Addressing subject matters resembling movie, tv, public monuments, and the click, a world staff of members display how eu id is formed because the continent administratively consolidates. In essays that discover cultural homogenization, longed-for identities, and the fears surrounding transnational media, this quantity uncovers the complicated interactions of historical past and reminiscence as they tell the eu present. 

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Palermo: a strategy of immanence (April 2001) My meanderings in Palermo brought me face to face with the memorial to the dead in the fight against the Mafia, situated on the Square of the Thirteen Victims. The Denis Tissander and Jean Modot guidebook (Sicile, Paris, La Manufacture, 2000) tells us that earlier, on the same site, there was a different monument, a sculpture by Valenti. For me, this substitution is very revealing of the ways in which Palermo, and Sicily more broadly, have been changing.

Bathed in blue, the picture on my mouse pad is of three children. Their faces are turned to the sky where they can see a cloud on which the logo and acronym of eitb is given, followed by the name in full: euskal irrati telbista. The children seem expectant; their faces are serious, solemn even. Time is as if suspended. Our eye is led along the vertical axis, and two different perspectives emerge. The linear perspective is formed by the triangle of children, and leads into the distance towards the object of the children’s collective desire (eitb) — they are all facing in this direction.

No banal cosmopolitanism here, but the high-minded version of cultural elites producing and consuming a culture that was truly cosmopolitan, transcending the borders and bounds of the nation state. It was always a rooted cosmopolitanism, with European trends and styles in the arts always being refracted through local appropriations, reflecting local tastes and manners. As Kant defined cosmopolitanism, it was always a way of combining the universal and the particular, Nation und Weltbürger, nation and world citizenship.

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